critic/filmmaker Dan Sallitt has a baroque six-colour scale he uses instead of ratings place movies in an all-time context
you just listen to the score and assign that a number
you then listen to the movie with the screen off and assign that a number
you then watch the movie with no sound and put a thumb up to the screen whenever an actor is present and assign that a score
then you watch the movie through a peephole and only look at the actors' faces and assign th
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