inspired by Thomas's newfound disregard of nuance, I will henceforth only review movies using traffic light colours

Mad Max: Fury Road 🟢
Apple in the River 🟡
Trancers 🟢
Antonio Gaudí 🟡
Tokyo Drifter 🟢

red movies are for chumps

critic/filmmaker Dan Sallitt has a baroque six-colour scale he uses instead of ratings place movies in an all-time context

the colors are red (pantheon), orange (near-masterpiece), yellow (Hall of Very Good), blue (good), purple (lowest rung of recommendability or interest), and everything not worth ranking is grey

this is needlessly complicated but very interesting

also pick better colours bro, my colourblind ass can't differentiate a bunch of this

for all it's flaws this is better than Mike D'Angelo's 100-point scale

@derek how could you possibly rate to 100 holy shit

@Thomas It makes my brain cramp up

@derek How does he score it? What's the difference between an 89 and a 90???